A Tale of Miners of Mind

How can architecture shape an audience’s journey through an imagined inner world?

Seoul Theater Center, Seoul · 2024
Spatial DramaturgyAudience Movement
Poster for A Tale of Miners of Mind

Project Overview

A Tale of Miners of Mind was a site-specific promenade performance that transformed the Seoul Theater Center into Dorothy’s symbolic “inner mine”.

The performance was structured as a journey through the building. Rooms, stairwells, courtyard and surrounding street became different territories within Dorothy, the protagonist’s inner world, while the characters encountered along the way embodied different aspects of her psyche.

The performance used the building's existing spatial sequence to organise the progression of the story. Audiences followed Dorothy from one space to another, experiencing changes in level, enclosure, distance and atmosphere as part of her psychological journey.

Methods

Spatial Dramaturgy
Narrative episodes were developed in relation to specific architectural conditions, allowing the sequence of spaces to structure the progression of the story.
Audience Movement
The audience travelled with Dorothy throughout the performance. Following, gathering, waiting and moving between spaces became part of how the narrative was experienced.
Spatial Design
Existing rooms, circulation spaces and exterior areas were temporarily reinterpreted as territories within Dorothy’s inner world, using the architecture itself to construct the fictional environment.

Spatial Journey

The performance began at the stairway on the top floor of the building and gradually expanded through the building towards the courtyard and surrounding street.

Each transition marked a shift in Dorothy’s journey. The corners of the building created intimate encounters with the miners, stairs connected different layers of the imagined world, and thresholds between interior and exterior marked moments of departure and transition.

The audience experienced these changes by physically travelling through them. Architecture therefore provided both the setting for individual encounters and the spatial sequence through which Dorothy’s psychological journey unfolded.

Spatial journey through the Seoul Theater Center

Performance Documentation

Performance documentationPerformance documentation Performance documentationPerformance documentation Performance documentationPerformance documentation Performance documentationPerformance documentation

Project Reflections

Architecture can structure narrative progression

The existing sequence of floors, stairs, thresholds and exterior spaces provided a spatial framework for the story. Narrative progression could be organised through movement from one architectural condition to another.

Audience movement can become part of dramaturgy

The story was experienced through physical movement as well as observation. Changes in location, level, orientation and proximity affected how audiences encountered Dorothy and the other characters.

Fiction can produce another reading of existing architecture

The performance temporarily overlaid an imagined psychological world onto the Seoul Theater Center. Familiar architectural elements could acquire different meanings through narrative, movement and performance.

Project information

Title
A Tale of Miners of Mind
Format
Site-specific mobile performance
Venue
Seoul Theater Center, Seoul, Korea
Performance
2–4 August 2024
Writer / Director
Sehee Hwang
Performers
Hyemin Jeong · Sunhee Nam · Sehee Ahn
Composer
Bitna Lee
Producer
Hoyeon Lee
Presented as
Selected performance for Seoul Theatre Center Festival, “하기와 보기”